Category Archives: General

How to Help a Writer Get Her Muse Back

I love working with writers who are passionate about their creative lives and want to dig deeper to unearth their voice through the richness of their work.

What I’m creating here is for you and you, alone, dear Writer.  The goal is for you to be bold and fierce with the story that wants – NEEDS – to be told, to stand in your power against any and all advice that goes against your instincts and to ignore trends that change on a whim.  What we are about to do is go on an adventure to listen to your muse and unearth your voice.

How will this occur?  By shaking up your writing – to that, I will be offering you a sanctuary, where you can feel safe to express yourself.  Remember, in the arts, there are no wrong answers, no wrong choices. There is only a wealth of very interesting detours and where they might lead is anyone’s guess.

There will be posts here on this blog, one-on-one editing sessions for when you’re ready to take that leap of faith, and, eventually, on my Patreon site and through podcasts.

I love engaging with you, Dear Client, about your work and I will especially love being able to assist you in finding the tools you need to find your own way, in the manner that suits your own needs.

Now, let’s set forth!  Are you with me?

Research Can Be Fun

When one hears the word research, it is not often connected to the word fun.  It automatically conjures up the image of surrounding oneself with dusty tomes in a poorly lit room, away from distractions of the world outside.  Or of scientists in remote castles wanting to play the role of God by re-animating a corpse.  Or students groaning over an assignment that requires five legitimate sources that does not include Wikipedia.

Despite my own initial dismay at having to do the work needed, I actually enjoy the act of research.  Whether it includes reading on topics I’m not familiar with (or have a passing knowledge of), I love learning.  Even though my own writing is primarily fiction, I want to make sure that my facts are accurate.  This is especially the case if I’m writing about a time period or area I did not live in.  Or, if there’s a life experience that I do not have, I make sure to read and ask questions so that I have at the very least a basic understanding.

Research can be done in a variety of ways (reading, asking questions of people in relevant fields, or even learning a skill), so it doesn’t have to be viewed as a boring and burdensome task.  If you approach it with the view that what you learn is as valuable as a 15th century gold doubloon (which it is), then once the initial dismay passes (which it will), then the ensuing action becomes a hunt for treasure (which knowledge always is).

What you turn up may surprise you in countless ways that you did not foresee.

Choose Your Words Wisely

When beginning his next novel, Stephen King will spend weeks, if not months, on perfecting the story’s opening sentence.  He does this to find that particular invitation readers will find too tempting to pass up.  When he has that perfect opening sentence, the rest of the story flows.

To craft that opening line, which establishes character and setting, you need to have something that hooks the reader.  To do that,  you need to find the right words to unlock the idea you’ve been haunted by into something larger.

Speaking of haunted – here’s an example of a gripping opening line by the incomparable Shirley Jackson:

No live organism can continue for long to exist sanely under conditions of absolute reality; even larks and katydids are supposed, by some, to dream. [1]

Immediately following that sentence is the introduction of Hill House, reputedly haunted, not lived in and still kept in pristine order by a couple from the local village.  Each sentence builds on the next and you are drawn into the lives of four people, determined to prove that Hill House is haunted.  Although it averages two hundred or so pages, it is tightly constructed, spare and ambiguous, leaving you wondering – is Hill House haunted or is it all a figment of Eleanor’s mind?

And neatly tying it all together, the final sentence of the novel echoes the final sentence of the opening paragraph – and whatever walked there, walked alone.

[1] The Haunting of Hill House (1959)

(The annotation below is brilliant.)

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