Tag Archives: mystery

“The Case of the Primary Genre”

When you sit down to write your story, one of the most important things to know at the start is it’s genre. What kind of story do you want to tell? Does it involve a heist, or ghosts, or a tall ship commanded by pirates? Once you answer that question, it’s fairly easy to do the proper research needed to ground your story properly.

Genres are how we can easily identify what kind of story is being presented. Mystery, romance, horror, historical, fantasy, science fiction – those are just a few types of genres that are available. The fun thing is that genres can be a mix of each other – a mystery can be historical (The Name of the Rose); a fantasy can involve romance, as well as magic and adventure (The Princess Bride); science fiction and fantasy can be blended together (Star Wars); and horror can be a metaphor for teen angst (Buffy the Vampire Slayer) or an exploration of sibling/familial relationships (Supernatural; Charmed).

Establish and ground the story in one genre, using it as the primary background. Then add elements from other genres (such as romance, drama, and mystery) to help add tension and new plot threads for readers to follow. The clearer you are on the kind of story you want to tell, and in the primary genre it falls under, the easier it will be to revise and polish in the editing process.

“Celebrate Writing Milestones.”

So, 2021 will be the tenth anniversary of my novel, Secrets & Howls, being published. In anticipation of this, I’m revising it for re-issue and remembering how I really loved working on it. The story opened pretty much as it does now, with a character moving into the sleepy village of Wolf’s Head Bay. As it happened, two very different plot lines featured characters moving into town (Elizabeth Phillips and her son and Marita Brye, the main character), but originally, it wasn’t the Marita we followed in the opening pages, but Elizabeth. I realized early on that the opening could stay, but only if it was Marita.

This meant merging the similar plots to reflect Marita as the primary focus; Elizabeth became a local resident and secretary in the local police department. I also had to integrate a series of letters from 1852 to end each calendar day in the book (which takes place over the course of a week). Then,

to keep things interesting, I pretty much threw everything into the story. Except the kitchen sink – that would have been too much.

In the last few years, however, I’ve grown as a writer, thanks in large part to my editors. There are still four more books to write in this series and I’ve got the second one mapped out, with room for making detours along the way. Now, with my most recent novel complete and ready for submission, I’ve decided to go back to Wolf’s Head Bay and see what needs to be done.

It’s still a solid story, but I’m enjoying the revision.

The Story Idea Box

On a shelf in my bookcase, there is an old shoe box, where I deposit all kinds of items that I find as I go about my day.  They are, to the casual eye, mundane in nature and unremarkable to anyone but myself, and range from a broken pair of glasses to a phone number that had yet to be assigned by the phone company. [1]  Each item is a mysterious talisman, a little bit of manna from heaven that can lead me down the rabbit-hole of a story.

But what is most intriguing to me is the brief note and postcard left inside a book.

While browsing the local library bookshop, I came across a hardcover edition of In Cold Blood, by Truman Capote.  Having never read it, I pulled it off the shelf and opened it.  A folded note and a postcard featuring the Cartwrights of Bonanza! fell out.

The note was written to a woman named Leslie, in which the author expressed gratitude for the cost of a plane ticket (which she caught with twenty minutes to spare) and a wig.  The rest of the note mentioned a visit and some work via the computer, as well as reimbursement for the ticket.  There was no date, no reference to which side of the coast the author had visited, but the magic was done.

What prompted the author of the note to get a wig and why was she in a rush to catch a flight?

And thus, the beginning of a mystery – or a thriller – or even a tale of horror – has been set.

Where does it lead?

Only you, my dear writer, can answer that.

And now, it’s time to begin your own Story Idea Box.

 

[1] There’s a story behind that mysterious, unassigned phone number, but that’s for a later post.